Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Louis-Philippe Crepin
Louis XVIII relevant la France de ses ruines

ID: 74310

Louis-Philippe Crepin Louis XVIII relevant la France de ses ruines
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Louis-Philippe Crepin Louis XVIII relevant la France de ses ruines


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Louis-Philippe Crepin

(1772-1851) was a French naval painter, one of the first Peintres de la Marine. Crepin was notably a pupil of Joseph Vernet and Hubert Robert. His Combat de la Bayonnaise contre l'Ambuscade, 1798, depicting the Action of 14 December 1798, is one of the main exhibits of the Musee national de la Marine.   Related Paintings of Louis-Philippe Crepin :. | Poplars on a River Bank | Smiling girl | Monte Carlo vu de Roquebrune | the montefeltro altarpiece, details | landskap med gula faglar |
Related Artists:
Otto Greiner
painted Prometheus in 1909
Edward Haytley
British Painter, active 1740-ca.1762,was an English portrait and landscape painter of the 18th century. Little is known about him, but the background of some of his sitters and professional contacts suggest he may have come from Lancashire. Few of his works survive, but he appears to have specialised in the "conversation piece" form popular with the landed gentry of mid-18th century England, a group portrait against an idealised backdrop of the subjects' estates. His works of this form include one of Elizabeth Robinson with her parents, Edward and Elizabeth Montagu, at Sandleford Priory near Hythe, Kent; six portraits of the Stanley family including one of Sir Robert and Lady Bradshaigh in front of Haigh Hall; and two of the Brockman family on its Kent estate, Beachborough, both showing the newly-constructed Temple Pond. One of the latter may include Susanna Highmore, daughter of the portrait painter Joseph Highmore. His best known works are the oil-on-canvas roundels of Bethlem and Chelsea Hospitals donated in 1740, at the behest of William Hogarth, to the Foundling Hospital, London. His last recorded work was a conversation piece of William Milner, second baronet, dated 1764, and he is assumed to have died shortly after this date
DUPUYS, Pierre
French painter (b. 1610, Montfort l'Amaury, d. 1682, Paris).






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